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We traverse several circles of hell together with Shin-ae, and then emerge with empty hands. Without demanding caricatures of her characters, Sung who also wrote the screenplay has created complex emotions within each one. Joong-shik agrees, and their journey begins.
What strikes you first about this film is how true to life it feels, even in the somewhat over-the-top second half. More seriously, director Kim's interpretations of Soo-ah's imaginary universe are surprisingly lackadaisical. There is clearly something wrong with Min-woo's interest. Its refusal to provide cathartic release is also admirable, given that the film bills itself as a melodrama.
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Soon it is uncovered that Seon-hwa's friends are sharing a nightmare involving a really ticked-off-looking one-eyed surgeon. There, she lives through a horrible tragedy. Although always happy to see portrayals of non-Asian-American women involved romantically with Asian-American men since my U. Reeling from shock, Ka-in soon finds herself the target of the inexplicable murderous rage of her friends and even family members.
She comes to the bitter conclusion that the days of selling her body are over when one client asks where the hot, Asian woman is upon meeting her. Or better yet, she is lying to herself. As if reminiscent of that disturbing sex scene in David Cronenberg's A History of Violence, this husband and wife at this moment are not making love. She is permitted the adult space to realize she is both strong and weak. Great casting goes a long way towards making up for what is a fairly thin premise for a film.
The film is divided into three distinct chapters taking place in Los Angeles, Las Vegas and a remote village in Alaska with an opening and closing scene in the countryside of Korea. Lover Min-hwan is as diplomatic in his romantic relations as he is in his job. There is a strong realist tendency that runs through all of Korean cinema, but in Oasis and in this film less so for Peppermint Candy and Green Fish, I'd argue it seems to reach its peak. Their relationship is enhanced when director Kim utilizes her strengths, such as her direction of bodies.
He refuses to budge, but Dong-gu's hopes of graduating appear to be at risk. But in this dark era in Korea's history, politics and the state not only limit their freedoms, but ultimately push into their private lives as well.
So-yeon knows Hyun-jae is a nice guy and that her friend is correct in her evaluation of Hyun-jae, but her friend is also wrong. This lacuna has allowed modern artists to creatively re-imagine her in many different ways. It happens amongst the crunching of crystal beneath their feet from a broken wine glass, underscoring the undercurrent emotions of the act in which they are engaging. She is vulnerable to being manipulated and being the manipulator. Emotions of guilt and responsibility abound in our characters and our sympathies are clearly complicated by the narrative.
When she begins to tire of life and grow weary of her husband's antics, we feel ourselves being pulled down with her. One Korean viewer noted that it was the following day when the film's impact really hit her with full force. Let me state explicitly that I am not implying here that Shim's Bruce is a consciously racist portrayal. And the Korean title provides no illumination since it's merely a Hangul phoneticization, or as I like to say, the Hangulification, of the English title. Indeed, there are more than a few people who want to kill him.
Joong-shik chatters without pause, flirts with all the women he meets and believes that life is basically what you make of it. Convinced that the dead woman with the rose tattoo has something to do with supernatural goings-on, Seon-hwa and Ki-beom start an investigation to uncover her identity. As it stands, the movie really should have been titled Nomi and His Courtesan Girlfriend. But Beautiful Sunday has encouraged me to watch out for Jin Kwang-kyo in the future. Where the delivery of lines is forced at times to get the ideas across, the delivery of bodies motioned towards and within each other clearly denote the intended passions.
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